Both non-objective reductive form and a hybrid between painting and three dimensions has been a constant throughout Feinberg's years of work. Relationships between shape, colour and texture present themselves directly in work that is wall oriented and focused on the specific characteristics of the materials I use - wood and oil paint, and foregrounding those. The wood support with its inherent patterns, textures, color, or history are an integral presence. In contrast the paint application, whether color or monochromatic, is uninflected and matte, drawing attention to its density and allowing a deep light saturation. The painted areas are not collage, though they often appear that way. Color & Chance. After using paint chips, coloraid, and colored paper for years and having piles on my work tables, those piles gravitated onto the supports to become paintings. They are all random, found compositions, things seen on my tables. Though they appear to be collage, they are all painted in oil. The panel support floats on the wall and the color constellations float within those lightly textured panels, suspended.